Tuesday, April 19, 2011

Musings on Mothering

My mother was a good mother--mostly--there are many things I am grateful for: her creativity, her intellect, her curiousity about the world (if not about us).

But I also often felt ignored. Like nothing I did mattered. Like my mother was either overwhelmed by my astonishing energy level, or tired of being an (often) single mother, while my father was out at sea, or like she just didn't care. Even now I am not sure if my mother is deeply interested in anything I do. Except my children. She cares deeply about my children (and for that I am grateful.)

But as a parent, I do want my kids to feel loved, like someone is interested in them, like someone sees them, their talents, their gifts, their soul.

The thing is, I have no healthy model.

I was allowed to pretty much run free. There were high expectations of a vague sort set (get the highest grades, be polite, don't be vain, be helpful like a girlscout). There were no real life goals (and I still lack them in some weird sense) and no real personal attention. If anything I think I bored my mother.

I cannot let my children run totally free. That is impossible in the world I live in, or I suppose, I have chosen to live in. And I care deeply that they feel cared for, and seen, as individuals.

But how to do that?

Take today. It is vacation. They are home. I have cooked them a great meal, played chess with both, done a little work on paper mache puppets, done their laundry, and read one of my favorite books to them.

But still I wonder, is it enough? How much is enough?

I have friends whose mothers worked full time who felt seen and beloved, and others like mine whose mothers were home, always there, but did not feel seen.

But where is that line?

As I try to find my line, how much time I am ready to work, I struggle with these questions. No doubt, time itself with children matters--whether passive or active. Maybe not in any IQ type way, but definitely in a sense of self, comfort at the core, I am not wracked with a weird kind of anxiety way.

But then, don't kids just deal with what they have to deal with?

As for me, how do I ever know I have done enough for them. Or is that just motherhood. The loveliness and the trickiness of it. You can let it take over your whole life, and later feel devastated it is over, or you can do bits of this and that.

I have no answers. I just wonder if, for some people, that question of how much is enough, is easier.

OK, off to clean a little, and cook a little, and love a little. I hear a child building behind me, getting ready to ask some questions.

Sunday, April 17, 2011

A Day for Me

Yesterday was my day.

All mine.

I meant to get up and edit a story I was working on. I failed.

I drank two perfect cups of Cuban coffee with cream, dressed in nice clothes, and headed to Beverly Hills for a haircut with my favorite Antonia. She has cut my hair for 11 years and I love her. Just walking into her salon--even if it is only every six months--makes me feel well-groomed and high-maintenance. I love it.

I walked out feeling like a million bucks--my hair blown dry, my split ends long gone. I swished my hair and imagined all the men of the world falling at my feet as I strode by the bistros of Bev Hills.

I hopped in the little red mini and zipped away. Already I was getting pangs of withdrawal. I am such a full-time mother that when I actually have time to enjoy myself, without a list of tasks and must-do memorandae I feel lost, and a little sad. I broke down and checked in. Baseball practice was good and the boys were heading to a friend's house for a dip. The brisket was bought and J had hunted down the sole I needed for my French dinner.

I drove downtown along Sunset, watching the neighborhoods change, through all my favorite parts of LA--Thai Town, Los Feliz. I stopped at Yuca's -- a tiny taco stand I read about in a book about cooking by a British artist--and ate one perfect carne asada burrito and a coke in she sunshine, pouring on so much picante hot sauce my lips were on fire. Ay qhe ricco!

I cruised downtown, my lips still tingling, and found free street parking (Yes!) a few blocks from the Dorothy Chandler Pavillion. I stashed my computer out of sight, and walked Grand Ave.-Eli Broad's dream creation, a stretch of magical architecture consisting of an amazing charter school built by a world famous German architect, Moneo's cathedral, the music center, and down at the corner, Disney Hall. The school is a travesty--a million dollars a classroom in a city where teachers are pink slipped every year and there are over 40 kids in some high school classrooms. But it is beautiful! I had never been so close. It is inspiring. I would have killed to have gone to high school in such a soaring, imaginative, creative space. It changes you.

I walked to the music center, and all of black LA and I were there to see Alvin Ailey. I got a ticket on-line through Goldstar. I have made a decision to honor my great loves. Not just for me (which is hard) but to teach my children to do that, too. I love dance. I love doing it, I love watching it. Deep down I feel I was meant to be a dancer--I love movement, self-expression, music. A psychic once told me that was my intended destiny. That resonated. To me, dance is one of the most beautiful arts.

I sat in my discount orchestra seats and listened as the black audience went crazy like a Gospel service. They were rowdy, appreciative, on fire. The dancers were so beautiful I cannot describe it here. I felt refueled.

I drove home near sunset, L.A.'s best time, and walked into my stocked kitchen and cooked asparagus wrapped sole in a tangerine buerre blanc, with ingredients and a recipe from my farmer's market bag. The dish was so good I shocked myself. And Jonathan. Our kitchen was like the best French restaurant in LA for one perfect meal. I was possessed by a great chef for one evening.

I sipped my wine, put my boys to bed, lay in my bed with the windows open, and listened to the sounds of Rod Stewart and Stevie Nicks wafting through my window from the Hollywood Bowl.

I know I appreciated the alone-ness because my life is so full. If that were my life always I would be slightly sad. But it is different--and wonderful--to move through the world alone sometimes. To see differently, to feel differently, to follow your own loves and impulses in the moment, with no negotiating with little people, no shepherding of boys, and no sales pitch to a sometimes reluctant husband.

I am grateful. Now ready to dive back into all that must be done.

Friday, April 15, 2011

Advice from Someone Better than I. Please.

I have someone in my life who is hard for me to deal with.

She drives me crazy, in fact.

The way she drives me crazy is inappropriate on my part. She should not. But she does.

A wise person once told me, after listening to me rant, that the problem was mine, not hers. I needed to learn how to deal.

And I do.

But I cannot. Or I have failed so far.

My normal response would be to walk away. Because having her in my life is not my choice. But in this particular case I cannot. I can minimize contact, but complete avoidance is not an option.

I try to summon compassion, because compassion is needed--for her, and for myself. But those flashes of gentleness only last for 30 minutes or so.

I am mystified, and also curious. What is it that drives me so crazy? Is it that I am rejected? Is it that I cannot deal at all? It is not much time.

Too little detail, I know. But if anyone, anyone at all out there has some deep wisdom on how to deal with someone you want to avoid, but cannot, please, please, please send it to me.

I am open. And desperate.

Too Much?

This year we have two weeks off for spring break, and for me, it does not feel like too much.

I know, if you are working it is a royal pain. And yes, I had plans, magnificent plans, of all I was going to get done during this period, and need to get done during this period. And will not get done this period (each night I must console myself and tell myself it is OK, I cannot write stories, interview people, edit a magazine story and care for boys all at the same time).

But my boys are tuckered out.

I could feel our engines on low.

I could barely get the boys to do homework or practice piano the weeks before break, and I was getting tired of riding them, too. The math homework doubled right before break and I thought Theo was going to go on strike. And he loves math.

We skiied for three days, that was our super duper extravagant wonderful treat. And now, the boys do not want to do a thing.

They do not want to go on adventures. They do not want to get in the car. They do not want to go to the library, see exhibits, or even go to the park. They are cool with things that we can walk to. But they just want to draw, play chess, sit around in their pajamas, stay up late reading, cuddle and play endlessly with legos and magnatiles. Sure, they get feisty at the end of the day when they have not done enough.

But their need to be bored, to stay still, to not move, to be lazy, outstrips their need to do anything at all.

So I am giving in. Which is hard for me.

We are recharging.

In our pajamas.

Spring Break



Chess in pajamas and underwear, 24/7. That is spring break, 2011.

Thursday, April 14, 2011

Stories

Tuesday night we drove back from Mammoth in the dark. The sun set, the road was two lanes and narrow. There were no lights, except cars shooting toward you in the opposite direction. The great dark hulk of the Sierras lay to the right like a sleeping monster. Driving took concentration, and we still had a long way to go.

So Jonathan came up with a game. The boys would come up with the elements, and we would tell the stories. Jonathan asked questions: Funny, funny-scary, or scary? (funny-scary, said Benji). Real or unreal (unreal, said Theo). Fable or fairy tale or science fiction? (fable, said I).

Then you are on. You have to think on your feet and keep weaving your tale, judging your audience reaction by giggles, complaints, and sighs of pleasure and satisfaction. When the story goes off track the audience chimes in to complain. (That is not a fable! or That is not very funny!) Because the goal is to pass the time, you also have to keep the story going as long as possible, so the miles fly by, and hopefully, boys will be lulled to sleep. Jonathan's was great, about a strange visitor, who makes all sorts of wonderful things happen, and solves all the family's problems. But in the end he was not real. The moral: You cannot wait for a stranger to solve all your problems. You have to figure it out yourself."

None of us saw that coming. We were disappointed. The imagination part of the story was very alluring.

Then it was my turn. I got three words: Weird (Theo), Ocean (Benji) and cat (Jonathan). I got to suck in my breath, imagine a setting, then dive in. It is like a strange sort of mental exercise--perhaps the way improv goes if you are really good. I started, and Theo yelled out (you are copying a book, and I know which one!). Harsh audience!

But I wove my tale, about a blue cat who takes to the sea, and eventually saves his mother. There is a lot more to the story, and I will not bore you with it here.

But in the end, I got the most gratifying reward.

I finished, and Benji let out a long, perfect, contented sigh.

"That was good," he said.

Oh, it was the perfect gift for a night-time storyteller. I had cast the spell and he was smitten.

"Did you like Blue?" I asked. (Blue was the name of the sea kitten).

"I want to be Blue," he said.

Oh, be still my beating heart.

No amount of money could compensate me for that perfect appreciation.