Thursday, January 21, 2010

Food for Thought

Yesterday a mama I love came over to talk and caffeinate with me. We spoke about creativity, finding time to pursue our dreams as mothers, and how much of your precious time should go to the "art" itself, and how much to the business, the promotion, the endless drumming up of business.

She told me about a documentary about an old Indian jeweler she knew, who used to work up in Malibu. He was ripped, talented, and successful. He looked like a man following his dream, his art, his bliss. But he revealed, in this documentary, that he spends more time on the computer and on the phone doing the business end of things, so that he can do his art.

It made me think.

Someone always has to do the business end of things. You cannot just do art, unless you find a patron, or have a brother with a sales background who will peddle your work with passion and leave you to the paints (Theo Van Gogh, for instance).

Creative people shy away from the business side, but it must be done. And today, it seems, in the creative arts you are expected to do more and more of the business side and promotion yourself. You must be an entrepreneur, too, to be an artist, a writer, a film maker, a poet. Otherwise, you will just be a hobbyist. Which is OK.

And I thought about that. Not that journalism is art--but I was so blessed to write in a place where once I was hired the only person I had to sell my idea to was my editor, whose door was pretty much always open. They might be good, they might be bad, but it didn't take long to get an answer.

Freelancing is a different story. You have to write the story, yes. But that ends up being such a small part of the whole process. You have to find the place to pitch (appropriate voice, etc), see if you have a contact, harass daily or weekly, write up a proposal, wait for them to decide, then, IF they say yes, file the story, wait to be edited, and finally, many months later, get paid. The writing part is probably only 30% of the total.

To me, it feels like not enough. But if your starting point is: you could do something for someone else all the time, OR you could spend three quarters of your time promoting yourself and trying to find the space and means to do this thing you love, well, then it doesn't seem so bad. Indeed, that privilege of doing your passion feels like a gift. Even if it is only for 30% of the time.

What do you think, you artists, writers, film makers, and creative people out there? What is the proper ratio between art and commerce in the life of one who wants to pursue what they love?

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